Productions
VELLAAYI
PC: Roy Photographs
NER KANNADI
PC: Moments by Priyanka
WHEN SHADOWS SING
PC: NMACC
Āmuktamālyada
PC: Mr. Varun Khanna
yoni
PC: Mr. Kishore Gumaste
UNRAVELLED
PC: Mr. Kishore Gumaste
SAMAH

PC: Mr. Govindarajan
"Samah"- For many centuries, two intertwined streams of thoughts have flourished giving rise to ecstatic poems that highlight the mad desire to live (and perhaps die) for a divine bond beyond the worldly realms. Voices that echo an unquenchable love for the divine and sometimes where the love itself becomes divine! Barring religion, caste, language, social standing or economic status, these poems advocate emotional restlessness and a very intimate expression of the individual self. In this modern era of religious intolerance and turmoil, Samah explores intense and beautiful poetic works of Sufi poets like Kabir, Rumi, Amir Khusrau, Raskhan, Bulle Shah and Bhakti poets like Surdas, Vidyapati, Mirabai, Kanhopatra, Andal.
Antaryatra -
The Journey Within
"Antaryatra - The Journey Within" explores the journey of the human mind. The performance begins with the neutral mind which is fulfilled and is at peace - a mind devoid of strong emotions. Through the course of the performance, various emotions are explored revealing the complexities of the human psyche. As the performance draws to a close, the mind transcends physical limitations to unite with the eternal consciousness.

VOICES

"Voices" is a celebration of the incredible human accomplishment of creating magic with words. The title Voices comes from the idea that the words in a poem start first as the Poet's voice. Those words are then interpreted by readers in their own voices in different ways. Dancers and musicians interpret poetry through movement and sound. Voices explores unusual verses by several poets including Pablo Neruda, Amir Khusrau and Jaishankar Prasad.
PC: Mr. Prakash Bala
Samviksana -
An Exploration
"Samviksana - An Exploration" is a margam-based performance that includes traditional items from the Bharatanatyam repertoire. The centerpiece is a varnam that describes the love of a nayika for her Lord. The production showcases the beauty of the Bharatanatyam vocabulary through precise rhythmic movements as well as brings out the emotive aspects that are central to this dance form.

About
Vazhuvoor Ramiah Pillai
Vazhuvoor Ramiah Pillai was a unique teacher. He trained his students with dedication and instilled into them the need to give of their best to Bharatanatyam. Vazhuvoor Ramiah Pillai was born into a Isai Vellalar family, the traditional breeding ground of dancers and musicians. Ramiah Pillai was a dance master cast in the traditional mould. He was born in the village Vazhuvoor, a few miles from Mayapuram.
The temple at Vazhuvoor village is dedicated to Lord Siva, under the name of Gyannasabeshan, and to this day, the students of Vazhuvoor school, pay obeisance to the deity Gyannasabeshan in the form of Thodayamangalam at the beginning of each dance recital. Vazhuvoor Ramiah Pillai trained numerous dance teachers, and numerous outstanding dancers of today.
He also composed a number of Kuravanjis, and was the first one to use snake dance, which was very much popularised by Smt. Kamala Lakshmanan. He used mainly Tamil compositions, and Varnams by Sri. Papanasam Sivan and Swathi Tirunal. He himself composed many Shabdam, Keerthanams, Padams, and Thillanas.
"The Nrtta aspect of Bharatanatyam shone in vibrant vitality throughout Ramiah Pillai's teaching career. He gave equal importance to Abinaya; but his style demanded a certain lilt which was at once dynamic and graceful. He was the first one to introduce striking poses in Bharatanatyam. "This sculpturesque quality became his hallmark and to this he added facile movements to make his dancers look like elegant ballerinas," - Lakshmi Viswanathan.
It is this unique portrayal that lends charm to the Bharatanatyam presented by Vazhuvoor Ramiah Pillai's school and makes Vazhuvoor tradition a unique one. Generally there is a popular belief that there are four different styles in Bharatanatyam. Among them, the Vazhuvoor style gained worldwide recognition.
He became an outstanding choreographer and dance director. He founded Vazhuvoorar Classical Bharatha Natya Art Centre at Mylapore, and organised Vazhuvoorar Art Festival in Chennai during the December season. In the closing years of his life he wrote a book 'Theiveka Aadal Kalai' on dance.
- Subashini Pathmanathan (a student of late Padmashree Vazhuvoor Ramiah Pillai)






